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An Autobiography in the Form of Song Curation

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My passion for music began at an early age. Here I am with my sisters, happy with my records in my hands. I’m told I used to pretend I was a record player. I’d put a 45 in one palm, use the index finger of my other hand as a needle, and sing the songs on my records. I especially loved hippie music (Jimi Hendrix, the Doors, etc.) 

 

For this project/playlist, I chose 12 of my own songs and 12 by other artists to represent significant aspects of my life. 

Listen to this playlist on your choice of platform, the top of which is right here on my website.

Read descriptions of each song below these buttons.

Part 1: 12 Songs of My Own

 

These are in chronological order from the four CDs I released between 2004 and 2016, the first of which contained songs I’d written over a period of more than two decades. The first two were produced by others; the second two were self-produced, with all instrumentation handled by me in my bedroom using a small MIDI keyboard and a microphone. My YouTube channel contains a capella versions of me singing more than 50 songs I’ve written since I last released a CD. Content-wise, I’ve mellowed a bit with age.

 

  1. The Lord’s Wiener
    I wrote this when I was 19 and could not write a song like this today. Although it’s humorously poking fun at the church, under the surface is my anger from growing up with homophobic parents whose prejudice against me was fueled by their religious beliefs.  
     

  2. Fuck Me Lovingly
    I was once part of the San Francisco performance art scene and was the “naked a capella singer” known for performing this song and others naked on stage at various long-gone venues (e.g., Josie’s Juice Joint, 848 Divisadero, etc.).
     

  3. Circumcision
    This bilingual (English/Spanish) song protests circumcision. Growing up in Michigan in the 1960s-70s, boys were all routinely circumcised, and I didn’t know there was such a thing as an uncircumcized penis until I was in my late teens. This was a cult hit in Madrid(where most men are uncircumcised) during the two and a half years when I lived there. People used to chant “prepucio prepucio”(the Spanish word for foreskin) when they wanted me to sing it. 
     

  4. Unconditional Love
    This song is unlikely to offend anyone and has resonated with family members and others outside of the queer community. Although my parents loved me, they were never able to accept me, so I never felt unconditionally loved. Perhaps this helped set me off on my spiritual path, where unconditional love has become a central value in my life. 
     

  5. Dancing on Sage Leaves
    This song honors several different queer ancestors, mainly gay men. One of the song’s subjects, Harry Hay, is also the subject of a biography I wrote entitled Thank You for My Life. It is written in free verse, intended for a teenage-and-up audience, and is due to be published within the year. My mission as a writer is to create books that would have been helpful for me to read when I was a younger gay person.
     

  6. On the Shore
    This song is about a childhood friend with whom I also had a sexual relationship when we were in our teens and early 20s.  Once he became involved with a woman and got married, he cut me out of his life. 20 years later, I found out via an email that he had died, and it led to this reflection.
     

  7. Answering the Growl
    This song was for my ex-boyfriend, Miguel, while we were together. Our relationship was short-lived, but we remained friends. Miguel also became friends with my husband and was the ring bearer at our wedding. He died in 2022.
     

  8. Enchiladas Guatemaltecas
    This song in Spanish is both a recipe and a love song for my husband, Jorge, who is from Guatemala and enjoys making enchiladas guatemaltecas. 
     

  9. The Best Part of My Life
    This is one of several love songs for Jorge, found on my last two CDs, for which he did the cover art.
     

  10. Yellow Dog
    This song started as a dream in which I was with a golden retriever and was sneezing. A voice in the dream said, “You don’t have to sneeze at this dog. You are this dog.” It evolved into a collaboration with gay author Trebor Healey, who makes a cameo with two brief readings from his novels A Horse Called Sorrow and Faun. Most of the images in the song are collaged from images contained in these two books. Jorge makes a cameo, howling with me at the end of the song.
     

  11. The Earth as Their Lover
    This song was written for San Francisco residents and founders of the ecosexaul movement, Annie Sprinkle and Beth Stevens. The Bay Area continues to be the epicenter of the ecosexual movement, an example of the “+” in the LGBTQIA2S+ community.
     

  12. Savor
    This song/poem (invoking intergenerational peace and peace beyond individual lifespan) advocates for moving slowly and pausing to savor life. It imagines being listened to after my death, and a translated version of the poem is delivered in Portuguese by Joseh Garcia. 

Part 2: 12 Songs by Other Artists

 

The first six songs come from my past, centering on the AIDS era. In the spirit of the intergenerational learning in this class, the second six songs are by younger, contemporary queer artists and allies. As part of dismantling ageism against both older and younger people, I’m committed to staying open to younger people and their music.
 

  1. Fred Hersch: The Sleepers (poem by Walt Whitman)
    I chose this in part because I became obsessed with Walt Whitman in my late teens, before I had come out to myself and not realizing that he was gay (before the term "gay" existed). I’m currently working on a novel, which is a piece of  autofiction based on my life as a gay teenager in Michigan in the 1970s, who writes diary entries to Walt Whitman. Another reason for this song’s inclusion is that it was arranged by pianist Fred Hersch, one of the only openly gay, openly HIV+ jazz musicians I know of. The vocalist Kurt Elling is an ally. When this CD came out, I attended their concert with my then-boyfriend Philip. We met through the long-defunct Queer Jazz Club, a club for queers who got together to listen to jazz recordings and attend concerts. 
     

  2. Bronski Beat( vocalist Jimmy Sommerville): Smalltown Boy
    This song represents my relationship to home as a gay man who came out in the 80s/90s( “the love that you need will never be found at home, the answers you need will never be found at home”). For many of us, home was not where we were from but a place we hoped to find in the world. For the generation before mine, this was Judy Garland singing Somewhere Over the Rainbow in The Wizard of Oz. Unlike Dorothy, we didn’t want to go back to Kansas to live with Auntie ‘Em; we wanted to create our new home in Oz. 
     

  3. The Kinsey Sicks: AZT
    This song, written during the height of the AIDS epidemic, is by the San Francisco dragapella group whose name is a play on Kinsey Six (i.e.100% gay on the Kinsey scale). I occasionally shared the stage with them in their early days and was friends with one of their members (Jerry Friedman-Vasalina Dildona), who died from HIV related complications. The group still exists, although none of the original members are still part of it.
     

  4. Michael Callen: Do Not Turn Away
    Another song from the AIDS epidemic, written by an artist who died of AIDS, urging parents not to abandon their children while they were dying of AIDS, which is something many parents did. The epidemic coincided with my decision to come out to my parents, even though I knew they were homophobic and feared they might disown me. In the end, even though they were unable to accept me and refused to discuss my sexual orientation during the 20+ years they lived after I came out, they did not disown me, and we maintained a loving connection. I was fortunate not to become infected with HIV.  In part, this is because I was not as sexually active as many people, having survived more than two violent sexual assaults by men and women. Feeling traumatized and confused about my sexuality, I shut my sexual life off for a few years. When I began to open up, it was with much fear, as for years we did not know exactly how HIV was spread and feared that many no-risk and low-risk activities could spread the disease. I remember the sleepless nights, trembling in fear after what I now know were low-risk activities, believing I could become gravely ill within a year, and die within a couple of years because of the behavior I’d engaged in.
     

  5. George Michael: You Have Been Loved
    This song is loosely based on George’s experience of losing his partner to AIDS. It tells the story from the perspective of the late lover’s grieving mother, as well as from his own point of view. 
     

  6. Mark Weigle: I Remember
    This comes from the later part of the AIDS epidemic, written by an artist who is a long-term HIV survivor and who was able to benefit from the life-saving medicines after they arrived. I met Mark a couple of times and deeply admire his music. 

    Now we move into the contemporary part of the playlist.
     

  7. Greg Holden: Boys in the Street
    Greg is an ally, and this song deals with a father who gradually overcomes his homophobia. Even though this wasn’t possible between my father and me, I love songs that evoke the possibility of change and overcoming prejudice. 
     

  8. The Young’uns: Be the Man
    This song is based on the true story of a man who took his own life because his religious family could not accept that he was gay. In response to this, his boyfriend, Matthew Ogston, began the Naz and Matt Foundation to tackle religious homophobia. Additionally, while I’m inspired by young people defining themselves as non-binary,  perhaps because I’m older, I still identify as male, albeit a unicorn man. (Jorge thinks I’d identify as non-binary if I were young). I admire that the song identifies maleness as being caring and compassionate. Since gender roles are largely based on social constructions, I’d love to see a massive redefinition of what it means to be male in this world. 
     

  9. Chris Housman: Blue Neck
    A bit of out-and-proud gay country music that also embraces intersectional politics and speaks on behalf of multiple social justice issues, not just gay rights. 
     

  10. Crys Matthews: Suit and Tie
    This song, by a preacher’s daughter, speaks out on behalf of her own right to live as a butch dyke and in support of trans people.
     

  11. Shea Diamond: Don’t Shoot
    This song is written by a black trans woman pleading with the police not to shoot her. Admittedly, in many ways, as a white gay man, my life has a lot more in common with straight white people than it does with a black trans woman. One thing I like about proclaiming a queer identity is that it doubles as both self-identification (e.g., I am mainly, but not 100% gay, am also attracted to trans men, do not have a penetration-centric sense of sexuality, etc.) and a community term in which all members of the community can stand in solidarity with each other. Given my white privilege, I feel it’s important to stand in solidarity with marginalized people who suffer from much harsher oppression than I do.
     

  12. Todrick Hall: Amen
    This song circles back to the first song on this playlist, bringing the church into a song of queer celebration that proclaims we all have the right to love anyone we want.  

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Me in my 20s and me and Jorge now.

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© 2026 Jim Cartwright. All rights reserved.

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